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Brussels, 11.8.2008
COM(2008) 513 final
COMMUNICATION FROM THE COMMISSION TO THE COUNCIL, THE EUROPEAN PARLIAMENT, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS
Europe’s cultural heritage at the click of a mouse
Progress on the digitisation and online accessibility of cultural material and
digital preservation across the EU
Europe’s libraries, archives, museums and audiovisual archives have vast and rich collections that represent Europe’s history and cultural diversity. When made accessible on the internet, these collections can be consulted and re-used by Europe’s citizens for leisure, work or studies.
In September 2005, the European Commission launched the Digital Libraries initiative, the aim being to make Europe’s cultural and scientific heritage accessible online[1]. The initiative, which is part of the Commission’s i2010 strategy for the information society, received strong support from the European Parliament[2] and the Council.
The Digital Libraries initiative supports the development of Europeana – the European digital library – and contributes to improving the conditions for the online accessibility of books, newspapers, films, maps, photographs and archival documents from Europe’s cultural institutions. Priority areas to be addressed by Member States were identified in the 2006 Commission Recommendation on the digitisation and online accessibility of cultural material and digital preservation[3], and the related Council Conclusions[4].
This Communication describes progress towards the creation of the European digital library as well as the actions deployed by Member States to address organisational, financial, technical and legal issues, essential for making cultural material available on the internet. It calls on Member States and stakeholders to step up their efforts to make our common heritage more accessible, and confirms the Commission’s commitment to support this goal through its policy actions and funding programmes.
The Commission has encouraged Europe’s cultural institutions to join
forces and work towards the creation of a common multilingual access point to
digitised resources across Europe. This European digital library, archive and
museum is named Europeana.
Users can access Europeana
to explore and combine digitised material from museums, archives, libraries and
audiovisual archives all over Europe, without having to know about or go to
multiple sites. They will have direct access to digitised books, newspapers,
archival records, photographs and audiovisual files and can consult or use them
for leisure, study or work purposes.
Several major steps were taken last year to create Europeana, from both an organisational and an operational point of
view. On 8 November 2007, the European Digital Library Foundation was
established, showing the commitment of the different cultural sectors to
achieving this goal. Founder members are European associations of libraries,
archives, museums and audiovisual archives, as well as a number of major
individual cultural institutions. The operational structure supporting Europeana is hosted by the Dutch
National Library.
The development of Europeana
is well under way. It builds on the results of existing projects and
initiatives and is supported by a series of new projects co-funded under the eContentplus programme. Work is geared towards launching a first prototype
in November 2008. It will give direct access, through a multilingual interface,
to at least 2 million objects from cultural institutions across Europe, thus
showcasing the potential of the concept. A demo site was published for comments
in February 2008[5].
Over the next two years, the prototype will be developed into a fully
operational service. This means first and foremost that more content from
various types of cultural institutions will be added. By 2010, the number of
digital objects accessible through Europeana
is likely to go far beyond the 6 million originally envisaged.
Initially, the material accessible through Europeana will be mostly public domain material. One of the key challenges is to include
in-copyright material, so as to avoid a ‘20th century black hole’ — a situation
in which much cultural material from before 1900 is accessible on the web, but
very little material from the more recent past. This requires good
collaboration between cultural institutions and rightholders. This
collaboration can take shape through agreements between national cultural
institutions and rightholders or through links from Europeana to sites operated by rightholders.
Further development of Europeana
will also have to address multilingual search and retrieval, as well as
integrating collaborative tools.
The European Parliament and the European Economic and Social Committee
have stressed the need to make the European digital library widely known to the
public and to take what steps are necessary in this respect. The Commission
will actively promote Europeana and
already devotes resources to raising awareness of the service through
the eContentplus programme. Member
States and cultural institutions can also help to make Europeana known to the wider public.
Furthermore, Member States can contribute by directly sponsoring the
European Digital Library Foundation as associated partners, in addition to
their efforts to fully implement the relevant parts of Recommendation
2006/585/EC and the related Council Conclusions.
In its 2006 Recommendation on the digitisation and online accessibility of cultural material and digital preservation, the Commission urged the Member States to take action in a number of selected key areas and to report on progress by February 2008. On 13 November 2006, the Ministers responsible for culture adopted Council Conclusions showing the readiness of the Member States to work together on these issues. The Conclusions also added a timeline to the actions.
Taking up a suggestion from the Council, the Commission created a Member States Expert Group on Digitisation and Digital Preservation, which replaced an existing intergovernmental group dealing with digitisation. The new group met twice in 2007 in order to report on progress in the relevant areas and exchange national experiences.
The following observations on progress are largely based on the reports that the Member States submitted in February/March 2008.
–
Overviews of digitisation activities
The creation of overviews of digitised material is essential to avoid
duplication of effort and to achieve complementarity between digitisation
activities. Since 2005, a majority of Member States have started to make such
overviews, in various forms. A few countries have established registries of
digitised collections, sometimes backed by legislation, e.g. Slovenia.
In other countries, national portals serve as a main point of reference.
Several Member States cite the MICHAEL project in this context, which provides
descriptions of and links to digitised collections across Europe. By its very
nature, the development of Europeana
will also lead to a more detailed overview of digitised resources.
The NUMERIC study, funded by the Commission, addresses the methodology
for obtaining more reliable figures on digitisation in the future, which can
help planning further digitisation efforts. Results of a first Europe-wide
survey will be available early 2009.
Despite the above efforts, the existing overviews are not used
systematically as a tool for priority setting within digitisation policies.
Furthermore, overviews and surveys in the Member States show that much of the
digitised material is not yet accessible on the web, thus limiting its
usability.
–
Plans for
digitisation and related financial resources
Quantitative targets for digitisation will help to focus activities and
contribute to the efficiency of digitisation across Europe.
Most Member States have digitisation strategies and plans in place,
often as part of wider strategies for the information society. Several others
are working on such plans. However, with a few exceptions, these strategies and
plans do not contain clear quantitative targets for digitisation as indicated
in the Recommendation and the related Council Conclusions. Establishing
quantitative targets and the associated financial planning is an area where
more efforts by the Member States are needed.
The financing of digitisation is a key issue. Over the last few years,
several Member States have allocated considerable new resources to digitisation
which will lead to the digitisation of millions of new objects.
Between 2003 and 2007, Greece supported 180 different digitisation
projects from museums, libraries and archives with total funding of €100 million . Under the Greek national
digital strategy for 2008-2013 a similar amount is earmarked for digitisation.
The Netherlands has allocated €90 million to the digitisation of audiovisual archives alone for the
period 2007-2014.
Other Member States have been less ambitious. Sometimes the picture is
not clear, given that budgets for digitisation are fragmented and ‘hidden’ in
the budgets of cultural institutions.
In several cases (e.g. Lithuania and Finland), the European Structural
Funds are used to support digitisation. Member States and regions could further
explore this means of financing digitisation projects.
–
Public-private
partnerships for digitisation
One way of funding digitisation could be private sponsoring or
public-private partnerships. Private companies are indeed involved in
digitisation activities in several Member States, but often merely as service
providers. There are also several examples of real public-private partnerships
or private sponsoring of digitisation, for example by technology firms, banks
and telecoms companies.
These examples could inspire Member States to forge similar partnerships
and cultural institutions and private sponsors to find ways of collaborating,
taking into account the guidance given by the High Level Group on Digital
Libraries on this issue.
–
Large-scale
digitisation facilities
To bring Europe’s cultural heritage online, the rate and capacity for
digitisation needs to be stepped up. Several Member States report on
digitisation centres that have been established in different shapes and sizes.
Sometimes they are linked to a university (Germany), national library (Finland,
France, the Netherlands), archive (Sweden, Greece), audiovisual archive
(France), ministry (Italy) or private company (Hungary). Generally speaking,
these Member States expect the output of digitisation to rise considerably over
the coming years.
In support of these activities, the Commission co-funds a network of
competence centres for the digitisation of different types of material across
Europe (see section 5).
In addition the EU Publications Office is engaged in a major
digitisation project which will treat about 130.000 publications by October
2009. This digital library of all EU publications since 1952 will be accessible
through the EU bookshop website and in due course also through Europeana.
–
Access to
content through Europeana
Member States can contribute to the success of Europeana by encouraging cultural institutions to add their
digitised material. This can be done through specific funding criteria for
digitisation, an approach adopted in Spain and the Netherlands.
Thirteen Member States report that they have set up or are in the
process of setting up national portals. Such portals can have an important role
as aggregators for the common European access point, provided that they
implement the right standards.
A majority of the Member States report ongoing work in relation to the
standards needed to achieve interoperability across Europe. Again, funding
criteria could play a role in this, as in the Netherlands. The EDLnet and
Minerva projects are mentioned as important points of reference for
standardisation work.
Action is taken in some Member States to involve private content holders
and thus facilitate the availability of in-copyright works. Examples are an
agreement between the national library and the national publishers’ association
in France within the context of Gallica 2, activities relating to the
‘Libreka!’ portal set up by German publishers, and an agreement between the
State and a publishing house in Italy.
–
Orphan
works
Orphan works are copyrighted works whose owners are difficult or even
impossible to locate. This poses problems of rights clearance for digitisation
and for online accessibility of the material.
Finland, Sweden, Denmark and Hungary have mechanisms of extended
collective licensing in place which can be used to handle orphan works. Both
Denmark and Hungary are in the process of changing the legislation to introduce
a stronger mechanism for dealing with orphan works. Germany is also preparing
legislation within the context of wider adaptation of copyright rules.
In spite of these examples, overall little practical progress is
reported. In most cases, the issue is still under consideration, often through
working groups that consider the orphan works issue together with other
copyright related-issues within the digital libraries domain. Some Member
States indicate they would welcome a solution or guidance at European level.
The reports do not show any substantial work on databases of orphan
works in most Member States. Nevertheless, actions at European level - such as
the ARROW project in which rightholders and cultural institutions together
address the creation of databases of orphan works - should be backed up by
national efforts.
Overall more efforts by Member States on the orphan works issue are
needed.
–
Works that
are out of print or out of distribution
Costs for rights clearance for digitising and bringing works that are
out of print or out of distribution online can be very high. In order to
facilitate rights clearance, rightholders, cultural institutions and collecting
societies must work together. The Member States can contribute by providing a platform
for this collaboration.
Although there are examples of cultural institutions ― in
particular in the audiovisual sector ― that have obtained the agreement
of rightholders for the digitisation and accessibility of their collections,
Member States’ actions in this area have hardly taken off.
When clearing rights for works that are out of print or out of
distribution, it is essential for cultural institutions to obtain the rights
for making the material available beyond national borders. An approach that
limits access to digitised material to users within a specific national
territory runs counter to the basic idea of a European Digital Library.
–
Barriers to
the use of public domain works
Provisions in national legislation may contain barriers to the use of
works that are in the public domain. These barriers could limit the
accessibility and usability of the material, for example through Europeana.
This issue is addressed by a minority of the Member States’ reports. The
low response in relation to this specific area seems to indicate that no action
has been taken in many Member States and that it requires further attention. A
few Member States point out that they have not encountered any barriers to the
use of public domain material in their legislation. Some Member States note
that barriers have been identified, but that they are justified.
In this context, it is important to stress the importance of keeping
public domain works accessible after a format shift. In other words, works in
the public domain should stay there once digitised and be made accessible
through the internet.
–
Strategies
and plans for digital preservation; exchange of information
The absence of clear and comprehensive policies in many Member States
was identified in the Recommendation as a threat to the survival of digitised
and born-digital material.
Most Member States have started working on digital preservation
strategies, through special committees or working groups involving the main
memory institutions, and in some cases there are specific digital preservation
plans in place. However, very often the operational follow-up to and financial
backing of high-level infrastructural and organisational strategies is limited.
More effort is needed in this area to preserve valuable information and content
for future generations.
Progress is mostly made by countries that have one or more organisations
with a long track record in the area of digital preservation and which do not work
in isolation but collaborate with other national institutions and institutions
abroad.
In the UK, the Digital Preservation Coalition, which includes, among
others, the British Library, the Joint Information Systems Committee and
several research institutions, provides a forum for the development and
coordination of digital preservation strategies at national level.
The Member States’ reports mention Community-funded projects as well as
the Member States’ Expert Group on Digitisation and Digital Preservation as
useful platforms for the exchange of information between the Member States.
–
Multiple
copying for preservation purposes
A large majority of Member States already allow multiple copying for
preservation purposes, thus taking into account the need for migration between
formats. Some of the Member States, where multiple copying for preservation
purposes is not allowed, are considering legislative action to change the
present situation (e.g. the United Kingdom, as part of the implementation of
the Gowers Review on copyright legislation).
–
Legal
deposit
A large majority of Member States have updated their legal deposit
legislation or have made practical arrangements to also cover born-digital
material. However, the types of material covered in the deposit legislation
(e.g. CD-ROMs, static web publications, dynamic web content) vary considerably
from one country to another, as do deposit criteria.
The reports highlight exchanges of experience between deposit
institutions and participation in EC-funded projects on digital preservation as
ways of reducing the risk of divergence in depositing arrangements.
–
Web
harvesting
About half of the Member States have implemented legislation that allows
web harvesting ― the active collection of web material ― by
selected cultural institutions. Provisions relating to mandatory web harvesting
are normally included in legislation related to the legal deposit of
born-digital material. In most cases, the organisation responsible for
harvesting is the national library.
Access policies in relation to web-harvested material are generally
restrictive, owing to considerations of intellectual property rights and
privacy.
Commission
Recommendation 2006/585/EC and the related Council Conclusions have set a range
of tasks for the Member States to make cultural information accessible to all
on the internet and preserve it for future generations. Much has been achieved
in the meantime, but much also remains to be done. On the basis of the above
analysis, the following areas and aspects need particular attention:
- Financial
resources and quantitative targets for digitisation.
- Solid support
from the Member States for Europeana,
ranging from criteria for financing digitisation to setting up national
aggregators and work on standardisation.
- Legislative and
practical mechanisms facilitating the digitisation and accessibility of orphan
works, and measures to encourage voluntary agreements on works that are out of
print or out of distribution, taking into account cross-border aspects.
- Financial and
organisational aspects of digital preservation.
In February 2006, the Commission set up a High Level Expert Group on Digital Libraries. The group brings together cultural institutions, publishers, technology firms and academics to find ways forward that are agreeable to stakeholders on potentially difficult issues. There are three subgroups active, on public-private partnerships, on scientific information and on copyright issues.
The High Level Group has found common ground in several areas and given practical guidance on issues addressed in Commission Recommendation 2006/585/EC. It has drawn up ‘do’s and don’ts’, for example for public-private partnerships for digitisation, and endorsed a model licence for the digitisation and accessibility of out-of-print works.
The results of the High Level Group, in particular on copyright issues, have been discussed and taken forward with a wider group of stakeholders. For the issue of orphan works, sector-based groups have been active and have established due diligence guidelines, in other words, a common understanding of what measures have to be taken before a work can be considered to be orphan. On 4 June 2008 stakeholders’ organisations signed a Memorandum of Understanding in this respect.
Within the context of the Parliament and Council Recommendation of 16 November 2005 on film heritage, the Commission is acting as a facilitator for an agreement between film-archives and rightholders for the use of deposited films in archives.
Progress on technical issues is a prerequisite for the development of digital libraries in general and the improvement of the services of Europeana in particular.
First of all, there is a need for cheaper and better quality digitisation (including optical character recognition, which is necessary to make full texts searchable) and cheaper and better preservation techniques for digital content. Within the Framework Programmes for Research and Development, these and related problems are addressed by the thematic area of digital libraries and technology-enhanced learning.
The IMPACT project
under the 7th Framework Programme for Research and Development supports a
network of competence centres for digitisation. The project receives Community
co-funding of €11.5 million, for a
total budget of €15.5 million.
The eContentplus programme has also made a major contribution to the area of digital libraries, by addressing notably cross-domain interoperability issues and multilingual access with a budget of some €60 million over the period 2005-2008.
The EDLnet project,
co-funded under eContentplus,
directly contributes to the creation of Europeana. It brings together the main
content providers to Europeana and helps to establish an interoperability
framework underpinning the work. The European Film Gateway project (earmarked
co-funding of €4.5 million) helps the national film archives to aggregate content
across the Member States, and thus it can be easily brought into Europeana.
Through its funding programmes, the Commission will continue to support projects that enhance the online accessibility of cultural content and digital preservation and contribute to the development of Europeana. Within the 7th Framework Programme for Research and Development, digital libraries and digital preservation are now a specific objective, with a budget that is expected to be in the order of €69 million for the period 2009-2010. Within the eContentplus programme, some €25 million has been earmarked for digital libraries for 2008. In 2009 and 2010, an amount of a similar magnitude is expected to be allocated to the area of digital libraries within the Competitiveness and Innovation programme.
The internet has created an unprecedented opportunity to make Europe’s cultural heritage accessible. Through the Digital Libraries initiative, the Commission is giving Europe’s cultural institutions the support they need to turn this opportunity into reality. Where cultural material has been made available by libraries, museums and (audiovisual) archives, there has been in general great interest from the public.
Europeana, the European digital library, will be launched in November 2008 and will show the potential of a common access point to Europe’s distributed cultural heritage. The content and services offered by Europeana will grow over the years as more institutions join and more material is digitised.
Making cultural material available to citizens requires work on the basic conditions for digitisation, online accessibility and digital preservation. The Commission has recommended a set of priority measures to the Member States to support progress across Europe. Although, overall, the Member States have made significant strides, more has to be done to make a critical mass of digital content available for all. In particular, the key areas for attention identified in section 3 on the basis of the national reports need to be addressed.
The Commission will continue to support the process through its policy initiatives and funding programmes and calls on the Member States, their cultural institutions and stakeholders to work towards the common goal of making Europe’s cultural content widely accessible on the internet. It will closely monitor the developments in collaboration with the Member States in order to assess in which areas further action is needed.
[1] See COM(2005)465 of 30 September 2005, which focuses on access to cultural material. The issue of access to scientific information is dealt with separately; see COM(2007)56 final of 14 February 2008.
[2] Parliament Resolution on ‘i2010, towards a European digital library’ of 27 September 2007.
[3] Recommendation 2006/585/EC of 24 August 2006, OJ L 236, 31.8.2006, p.28.
[4] Council Conclusions of 13 November 2006, OJ C297, 7.12.2006, p.1.
[5] See at http://www.europeana.eu/.